#La fenetre apts full#
#La fenetre apts plus#

‘The arrow is not only an allusion to Picasso’s magic weapon, but also a mythological symbol of “love and death” given to Cupid and Mars’ - Lydia GasmanĪs for Picasso, he has disguised himself as an assemblage of objects, including the arrow pointing directly to the sculptural form facing him. It is therefore likely that this work depicts their secret bolthole - the setting for a number of paintings of Marie-Thérèse, including Le Rêve (1932), which sold at Christie’s New York in 1997 for $48,402,500. The church’s two spires could be seen from the Left Bank apartment that Picasso shared with his lover. In the background, seen through the open window, is another symbolic nod to Marie-Thérèse’s existence: the church of Sainte-Clotilde. ‘It’s me all right,’ Walter told the art historian and Picasso scholar Lydia Gasman when she was shown a reproduction of this painting.

#La fenetre apts full#

Although her full form would not emerge in the artist’s work until the spring of 1931, her luminous profile and bobbed hair are, with hindsight, instantly identifiable here. In La fenêtre ouverte, Marie-Thérèse is depicted as an angular plaster bust on a long, limb-like neck clutching a white ball. Femme assise près d'une fenêtre (Marie-Thérèse), above, painted in October 1932, is one such brilliant example.

Later, as their relationship progressed, she appears more fully, her undulant curves rendered in violet, scarlet and canary yellow. A crimson curtain frames the green-rimmed window, which opens onto a vista of Paris. It features two abstracted figures and a surreal assortment of objects - a draughtsman’s square, a piece of fruit, an empty picture frame - reminiscent of the artist’s earlier Cubist still lifes. One such work is La fenêtre ouverte (1929), a powerful and brightly coloured depiction of Picasso and his lover dating from the highpoint of his Surrealist period. ‘Her statuesque form and radiant beauty, as well as her youthful, carefree sensibility, inspired the artist to create works that stand among the finest of his career.’ ‘The arrival of Marie-Thérèse in Picasso’s life not only invigorated every area of his work, it was also a pivotal moment that completely changed his style and focus from then on,’ says Christie’s deputy chairman Olivier Camu. Soon after meeting Marie-Thérèse in 1927, Picasso began to translate her image into visual form, at first clandestinely and later quite directly as a sensual, curvaceous female figure.

‘My life with him was always secret,’ Walter once said. He was still married to the Russian ballerina Olga Khokhlova at the time, so their relationship was veiled in secrecy. Ce fut un plaisir de rencontrer Simona & de poursuivre la découverte de Napoli ainsi que de la Campanie.In 1929 Pablo Picasso was two years into a passionate love affair with a young woman called Marie-Thérèse Walter.

#La fenetre apts plus#

Il est parfait comme pied-à-terre (départ tôt, retour tardif), il est plus médiocre si l'on souhaite s'y reposer un peu car sombre et bruyant. Le choix du studio correspond, en conséquence, au choix du séjour. De même, le studio est proche de 2 stations de métro (L1 & L2). Il est à 7mn à pied du splendide musée archéologique devant lequel il y a plusieurs arrêts de bus qui circulent dans toute la ville (dont ceux qui vont ou passent par Capodimonte). Il est à 30mn à pied du port où se trouvent tous les bateaux qui desservent l'ensemble de la côte amalfitaine (15mn si on prend le métro). Le studio a des qualités : il est situé à 15mn à pied - sans se presser - de la Gare qui conduit à Sorrento, Ercolano, Pompéi, Paestum, à l'Alibus, etc. Même avec la meilleure volonté du monde, il est impossible d'échapper aux actualités télévisuelles, aux séries de télé-novellas, au téléachat, etc. Le voisinage est bruyant : 7/7 jours, un voisin allume la télévision dès 6h30 du matin. La fenêtre de la chambre donne sur une courette > les voisins ont une vue plongeante directe sur la chambre d'où une fermeture des volets quasi constante. La fenêtre de la salle de bain comme celle de la cuisine donnent sur un mur aveugle, très proche > le soleil ne passe pas. Il fut très appréciable de discuter avec elle de Napoli, de littérature italienne ou encore de l'Italie d'une manière plus générale. Simona est sympathique, de confiance autant que réactive et à l'écoute des locataires.